The End

March 29, 2011

The Tallest Poppy Artist Residency has closed.

Thank you so much Talia and all the staff at the Poppy. The food was (and still is) always delicious and the service uniquely ace.

And thank you to all the artists for participating in this small but scrumptious art project.

Residency No. 21: the outskirts

August 27, 2010

The Tea Party:a performance by the outskirts artist collective: Camille Metcalfe and Jaime Drew

the outskirts are interested in creating public art to alter the urban landscape by challenging the binary conceptions of public vs. private. We aim to re-insert the voice of the artist and of the community within public space. While always keeping an eye on aesthetics we aim to incite a dialogue that encourages reflection on contemporary social and political issues.

The Tea Party is a collaborative performance that seeks to open a space for dialogue between the public and the private sphere by aesthetically positioning the private within the public. This staged juxtaposition, in the form of a high tea party held in public space, ruptures the viewer’s notions of the public and the private, creating an interstice in which ideas of race, class and gender are redefined. The use of the colonial tradition of high tea as a marker of class privilege and excess in the context of a deeply stratified social hierarchy seeks to generate a parodic and unsettling commentary on contemporary social issues.

Residency No. 22: Immony Men & Maegan Broadhurst

August 27, 2010
14th August 2010
Immony Men and Maegan Broadhurst have collaborated and developed several different multimedia productions and installations in Montreal. The main focus in their artistic practice together is to setup social/creative structures to collect malleable data and assemble a database to understand their current surroundings.
After a meeting with hannah_g, from AceArt.inc. She guided us in the direction of the Tallest Poppy and offered us an Artist residency for the day. After enjoying one of the best brunches we have ever had, we got to work. We posted photos of the locations on the wall along with pictures of the original flyers, and a map with all 445 points.
see video here: http://vimeo.com/14468712

Residency No. 20: Kegan MacFadden

August 27, 2010

14th & 15th May 2010

Kegan is compiling an anthology of the residency’s first year. Watch this space….

Residency No. 19: Niki Little & Jaimie Isaac

February 23, 2010

Quilting our collective.

Co-founders Jaimie Isaac & Niki Little undertook the project  “quilt our collective.” Both feel that Winnipeg is a hot bed for emerging artists, curators, and cultural interpreters and breaking onto this scene comes with its own set of challenges. Some obstacles that they have identified include gaining professional experience that contributes to developing a personal voice, acquiring financial and logistical backing for projects, as well as engaging in critique with peers in a mindful environment. Although the collective will not eradicate all these issues, they believe strength in numbers will happily cultivate motivation, encouragement and add a dynamic flavour to their work.

The residency gave them time and space to research and creatively brainstorm. Within two days they plan to compose their mandate, discuss prospective projects and suss out a plan of action. Identity in relation to the theme of community is not only found within their practices but it also embedded in the cultural fabric that is quintessentially Winnipeg. So they feel that it is fitting we begin this journey in a space that is locally owned and who supports the notion of presenting art and critical dialogue in innovative and dynamic ways.

Their findings will be stitched together create a paper quilt that will represent our collective. This counterpane will be their introduction to the community through its exhibition in the Tallest Poppy window following our residency.

Residency No. 18- Chantal Dupas

January 15, 2010

A trip to Northern Canada this past summer has left me interested in exploring ideas of hunting and the carcass which remains. I was disturbed and yet intrigued by the sight of decaying flesh that surrounded the hamlet, as meat and furs were left to dry on the front porch of peoples’ homes. This led me to question my own feelings towards being a carnivore, and the hypocrisy that stems from our sheltered perspectives in regards to the practice of food preparation. During the Tallest Poppy residency I hope to explore the ideas of the carcass as nutrition, as well as the inevitability of death and its necessity for new life.

Resideny No. 17- Kitty Killer & Chris

January 15, 2010

Kitty and Chris made finger puppets on the theme of Poppy food…

Residency No. 16- Daniela Smith-Fernandez

January 15, 2010

Daniela spent her residency working on her postcard project…

http://zorra-productions.blogspot.com/

Residency no. 12 : Jen Moyes

November 1, 2009

Jen Moyes is a visual artist based in Winnipeg. For her residency she began a  series of collages using the old magazines in the restaurant, pictures to follow shortly.

Residency No. 14: Andrew Kear

November 1, 2009

Come to dine; stay for the reading material! On Novembers 7 and 8 Andrew Kear will be at the Tallest Poppy restaurant overseeing circulation of Artbrary Manitoba to restaurant patrons. Artbrary Manitoba is an as-comprehensive-as-possible collection of exhibition catalogues, and other compendiums, featuring modern and contemporary art by Manitoba artists. The collection was amassed by Kear from all the major publishing art galleries and art centres in Winnipeg and Brandon: Ace Art, Art Gallery of Southwestern Manitoba, Gallery 1C03, Gallery One One One, Platform Gallery, Plug In ICA, Urban Shaman Gallery, Video Pool, and the Winnipeg Art Gallery. After the residency, Andrew hopes the restaurant will hold the artbrary in trust for future generations of Poppy patrons to enjoy with their meals.

Andrew worked at the circulation desk of the NSCAD library during the summer of 1999. Today he’s Associate Curator of Historical Canadian Art at the WAG.